by Jacinta Nandi

July 17, 2012

Do you like this?

What? What's the matter? You know I don't really mean that! It's just words, innit? Words don't actually mean anything. Words don't have any power. Words are just... words. Slightly more important that tampons or kacke or Pokemon cards, but basically nothing to be taken seriously.

You know what should be taken seriously though? You know what really, absolutely, totally, 100 percent-edly, completely and utterly must be taken very, very, very seriously at all times? Artistic freedom. And when I say artistic, I mean comedians' artistic freedom, of course. S’very important. It's very, very, very important that comedians are free at all times to do their very important and hard job, which is only slightly easier than mining or brain surgery or social work. And 10 times more important. You know?

Yep, I'm being sarky, of course – a little bit. A teeny-tiny, weeny bit.

So. You know that kernel of truth thingie? Well, the kernel of truth where I think all Americans (except for the gays) are rapists is quite a big one. It could kind of get stuck in my throat and choke me to death sometimes. I really do find American men to be, in general, rapists and/or rape apologists or both. I think I met a Canadian man once who wasn't that rapey. Canadians can be almost normal sometimes. But Americans are rapey. It's their culture. They've got this rapey culture and I think most Americans I've met are really proud of that. This is one thing I really resent about their presence in Europe: that they don't even have the humility to be ashamed of bringing their rapey ways to our shores. Most Muslims you meet are aware that they are the strangers in this land, more or less. But Americans, never. They come to Berlin and they inflict their rapiness on us with their silly cheerleader hatred and inane "your mom" jokes and those despicable baseball metaphors and then at some point, after about seven years here, they go home, as meaningless and rapey as ever. Without having learned a word of German. But you know. That's okay. At least they go home in the end. Small mercies and all that.

Sometimes, every now and again, I meet an American who I actually quite like. I really decide I like them. I say things to my boyfriend like: "Hey, Todd's really nice, isn't he? For an American." Or, "Dan's really tolerant and modern and open-minded, isn't he? Almost like a normal person." Or, "Jeff really isn't that much of a rapist, is he? Even though he's a Yank. I bet if he were European, he'd be a total feminist." Stuff like that. And then, after about six months, maybe a year, sometimes two, they say something rapey and get struck off my Christmas card list. This always happens. So, anyways, this week, the last American I liked in the whole world, the last one, is being all, like, pro-rape on the Daniel Tosh thing. That's it. Now I hate them all. Now I can literally join Al-Qaeda.

What I find really bollocks is this artistic freedom line.  The last American I liked in the world, he's all, like, oh, it's all about artistic freedom. Oh, Daniel Tosh is an artist, he needs to have all this artistic freedom or the terrorists/Stasi/Republicans have won. Artistic freedom, you're being fascistic and he wants to be artistic, why else was Rosa Luxemburg murdered by the Nazis if not for Daniel Tosh's artistic freedom. It's engraved in the Statue of Liberty's armpit: everyone who seeks refuge in this land will have the freedom to take guns into school and do rape jokes, don't you know? Why's it engraved in the Statue of Liberty's armpit if it's not the most important principle of modern existence? Sod those poor bastards being tortured in Guantanemo, where's Amnesty when you need them? A COMEDIAN GOT HECKLED! It's like miners in the old days being forced down mines without helmets on, it's totally inhumane. Artistic freedom.  Artistic freedom. What a load of shite. Like that cunt's "artistic" freedom outweighs women's freedom to not be raped. Yeah, right. Like this is all we expect from art in general, or comedy in particular. Artistic freedom and all that gubbins. Bullshit. It's such bullshit, it's almost boring.

Like, artistic freedom should be our main GOAL. Like artistic freedom is in itself the main point. What a load of bollocks. Hey, hey, hey, look at me! I'm the big boy with the mikey-mike in my hand! Ha! I can say what I like, I'm on the stage, I have the microphone in my hand. I have the power to say what I like, I have the freedom to say what I want: Wasn't it great when I raped that insect, when I tortured that Oma, when I pissed on that dead tramp, wasn't it fantastic when I wanked off that dog, when I shat on that doorstep, when I punched that baby? It's okay – this is art, it's free – these words are just words, they don't mean anything. I don't mean anything. This doesn't mean anything! It's just me, talking. I'm just talking. Because you know, it's very hard work, being a comedian. Slightly less hard than mining. But only slightly you know, and that's when you don't get heckled.

I think this is crap. I think this is cowardly, meaningless crap. I think this desperate desire to justify evil because art is meaningless anyway is crap. I think we should mean stuff. I think Bill Hicks meant stuff. I think Chris Rock means stuff. I think this has to mean something. If you're just doing this, just to check you're allowed to, why the fuck are you bothering? To quote one of the best comedians the world has ever offered us: “You're wasting your life.” This should mean something. It's meant to mean something. It has to mean something.

Changing artforms briefly now, sorry. Tess of the D'Urbervilles. It's a novel. Tess of the D'Urbervilles is a great book. It's a great book because it means something. It's about a pure woman being fucked over by a loser and a cunt. Angel's the loser, Alec's the cunt. Maybe Tess gets raped, I kind of think she doesn't, actually. There are great images in Tess – like when she turns into the landscape, or when they're at Stonehenge and the cops come for her, or the bit with Angel and her sister at the end. Don't want to spoil it for you. There are great images in Tess. But it's not just the images that make it a great book. It's a great book because of its meaning, and because of its message. It wouldn't be a good book, if it didn't have a message. Hardy wouldn't have even fucking written it if he hadn't had a message. Now, I know there's great art with bad messages – Leni Riefenstahl – and there's great art with no messages – I'm thinking Peep Show and Brett Easton Ellis. But the best art can't even be separated from its message. The best art is a message. And it means something. It fucking means something.

But yeah, for sure, you're right: that talentless cunt can make rape jokes, and other more or less talentless cunts can defend him. The fact that when he actually threatens to rape people, though, he's committing a criminal offence and the fact that you still defend him belies your argument that it's "only" words and reveals the subconscious truth that you actually find rape okay. This in itself is actually fairly normal, because rape has only been properly seen a crime for a few years, so it's normal that you find it okay for men to rape and threaten to rape women. However, don't try and pretend that your acceptance of rape is "meaningless", or that comedy is more important than people not being raped. It's not meaningless, you're just a bit pro-rape and plus comedy is only important if it's not totally meaningless. Got that?

Like, for fuck's sake. Comedy is storytelling, man. Dickens did stand-up. Grow up. This is it. This matters.

And Louis CK? I know, I think he's a genius, too. But all you silly boys admiring and adoring him so much, thinking that his talent makes him some kind of God. I think he has used his talent to make the world we live in one where rape is more accepted, one where rape is more okay. For sure, he has the right to do that. And he's done it. The world we live in is one where his daughters (he's got two girls, right?) are now slightly more likely to be raped in than they were before. That's what he's done with his talent. That's what he has chosen to do. He's chosen it. His daughters are more likely to be raped – slightly more likely – and they're a lot more likely to be threatened with rape at a comedy show. That's what he's done. That's the kind of thing human beings can do with their talent. But guess what? They don't got to.

You don't have to.

And that's all I've got to say on the subject.

by Jacinta Nandi

July 17, 2012

Latest Comments

  • Fannies and Willies

    See I think that's the thing, I think people would have laughed out of sheer mindlessness at your 'I hope you die' comment, and for exactly the same reason as they laughed at the Sep 11th jab. It's unexpected and eschews any notion of a borderline and so could be perceived as edgy and daring, and the crowd sides with the comedian out of mindlessness and/or out of fear that they may be the next target. I think it's a group or majority rules mentality that takes a courageous individual to stand up to (not sure whether I would but I hope I would).

    As for the 'cunt' thing, surely it's supposed to be insulting and therefore the more specific it is, the better, if you intend to insult and offend, of course. I would use it for both, but I'd generally reserve variants of the penis for men, for example, and you rarely call girls 'bastards'. There are obvious parallels between the whole 'meaning' thing we mentioned before. If a term becomes so generic in its usage, it loses its meaning and its impact. A bit like 'wanker'. Must admit in school I had to compose myself a little after hearing it yelled out over the playground, but now it's fairly innocuous. And I don't think it's just age. Anyway, just call everyone fannies and willies. Much better.

    Posted by Ed July 26, 2012 20:24:15

  • cunt

    Also I think it's really educational for people to remember that cunt can be for men or women. Easties and the British use cunt/Fotze for men and women. Young Germans and Americans only use it for women. I think that makes it really misogynistic. Although I have stopped using the word so much. There was a time when I used it seven times a blog. But now I save it for special occasions.

    Posted by Jacinta July 25, 2012 19:24:12

  • rapist cunts

    Nobody's ever gonna meet an American and think "rapist cunt." I am the most Anti-American person I know, and even I only think the words "rapist cunt" when people do stuff like making jokes about cheerleaders, laughing about fucking a girl in her sleep, stuff like that. No, even then, I don't think the word "rapist cunt." I think "Rapey American."

    I don't think they clap and laugh to my wish that more Americans died on Sept 11th. I think it's funny coz it's such an extreme reaction to being irritated by their annoying behaviour. I can't watch it again, coz I hate the sound of my voice, so I can only watch my YouTube videos with the sound down. But isn't it the cunt-ometer? Don't I call Bin Laden a dickhead? I think it's just about okay. And if someone had heckled me, and gone: people died, you bitch! And I'd said: I hope you die....then everyone would say I'd gone too far. And plus it wouldn't even be funny. Rape is only funny coz it's acceptable.

    Posted by Jacinta July 25, 2012 19:11:38

  • Sep 11th contd

    Naughty would suggest it's subversive and that it challenges some form of established behaviour. Such jokes do nothing. They merely victimise the most vulnerable. It's the laziest kind of comedy. It's the bully in the playground, completely incapable of empathy.

    I wouldn't complain about any joke. 'Complain' is the wrong word. I may say something, but I'd be unlikely to heckle. Heckling normally turns you into the object of the comedian's vitriol and the subject of the audience's voyeuristic delight.

    The audience claps and laughs to your wish that more Americans had died on September 11th. But what do they want? They want more wives wishing they could climb down the telephone lines to be with their husbands seconds before the line goes dead and the tower falls. Would a higher death toll make it all funnier? Do they not spare a second to think, 'how would I feel if that was my husband, or wife, or kid?' Regardless if we're talking about Sep. 11th, rape or Fukishima, the empathy argument stands. The rapey comedian you mentioned probably needs to have a good sit down and imagine being sodomised for half an hour or so, along with all the mental and physical trauma that goes with it.

    Given your begging would have no measurable effect on the likelihood of future terrorist attacks, but it certainly fuels an anti-american sentiment which biases opinions and everyday interactions. Imagine an impressionable individual reading your article who meets a young american man tomorrow. The first thought will be 'rapist cunt'. We all have a responsibility for the words that leave our mouths and minds. Deny or reject that and we're left with no meaning, for our words, nor for ourselves. You end up an empty shell spouting off vitriol in the hope of attention.

    As for the 'care more' thing, no, of course we shouldn't care more and of course there's huge inequality in the valuation of human life, but nor does it mean we should care less as some kind of liberal-minded compensation for all the inequality in the world.

    You've got to make fun of the powerful, not the powerless. Not the victims. That's why Bill Hicks was great.

    Posted by Ed July 25, 2012 17:59:46

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