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    <title>Williams, Sam</title>
    <link>http://www.exberliner.com/topics/sam_williams_1/index.rss</link>
    <description></description>
    <language>en-en</language>
    <copyright>Iomauna Media GmbH</copyright>
    <pubDate>Tue, 03 May 2011 07:00:00 GMT</pubDate>

    <item>
          <title>Last chance: Cyprien Gaillard – The Recovery of Discovery</title>
          <description>
            <![CDATA[
            <p>French artist Cyprien Gaillard examines monuments and their relocation. The aim of the game is to recover the thrill of discovery. Defiance is the answer. The object is the Pergamon altar, which was brought to Berlin piece by piece in the 1880s.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/last-chance%3A-cyprien-gaillard-%E2%80%93-the-recovery-of-discovery</link>
        <guid>http://www.exberliner.com/events/last-chance%3A-cyprien-gaillard-%E2%80%93-the-recovery-of-discovery</guid>
        <pubDate>Tue, 03 May 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Last chance: I am not free because I can be exploded anytime</title>
          <description>
            <![CDATA[
            <p>LA artist Sterling Ruby reimagines the US as an acronym of its own flag: RWB. A country that has wrapped itself in its own iconography becomes something else. Ruby’s principle appears to be that paranoid delusions are the gateway to a kind of truth.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/last-chance%3A-i-am-not-free-because-i-can-be-exploded-anytime</link>
        <guid>http://www.exberliner.com/events/last-chance%3A-i-am-not-free-because-i-can-be-exploded-anytime</guid>
        <pubDate>Tue, 03 May 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>"We are the army of invaders"</title>
          <description>
            <![CDATA[
            <p>Interview: Esther Schipper. What's behind the decision to relocate from Mitte to Schöneberg Ufer? Is it the end of an era or a new beginning? For Schipper, it's all history. </p>
            ]]>
        </description>
        <link>http://www.exberliner.com/articles/%22we-are-the-army-of-invaders%22</link>
        <guid>http://www.exberliner.com/articles/%22we-are-the-army-of-invaders%22</guid>
        <pubDate>Wed, 27 Apr 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>What a serious horror writing a play “hello man from kebab house” (Josef Kramhöller)</title>
          <description>
            <![CDATA[
            <p>Jochen Kienzle's show is centred on photographer Josef Kramhöller, cast as a Kafkaesque avatar of himself.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/reviews/what-a-serious-horror-writing-a-play-%E2%80%9Chello-man-from-kebab-house%E2%80%9D-%28josef-kramh%C3%B6ller%29</link>
        <guid>http://www.exberliner.com/reviews/what-a-serious-horror-writing-a-play-%E2%80%9Chello-man-from-kebab-house%E2%80%9D-%28josef-kramh%C3%B6ller%29</guid>
        <pubDate>Sun, 03 Apr 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Opening: What a serious horror writing a play...</title>
          <description>
            <![CDATA[
            <p>Jochen Kienzle's show is centred on photographer Josef Kramhöller, cast as a Kafkaesque avatar of himself, while the city is a dirty smear behind a crystalline thumbprint. Suspect it has something to do with performance being the mode of exposition.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/what-a-serious-horror-writing-a-play...</link>
        <guid>http://www.exberliner.com/events/what-a-serious-horror-writing-a-play...</guid>
        <pubDate>Fri, 01 Apr 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Opening: The Michael Kohlhaas Curtain</title>
          <description>
            <![CDATA[
            <p>The art world is deeply superstitious. Especially about numerology. Especially when state institutions are at the helm. And so the Neue Nationalgalerie contrives to honour Heinrich von Kleist's death (not his work!). Through August 14.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/the-michael-kohlhaas-curtain2</link>
        <guid>http://www.exberliner.com/events/the-michael-kohlhaas-curtain2</guid>
        <pubDate>Fri, 01 Apr 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Berlin's top chicks: Art babes</title>
          <description>
            <![CDATA[
            <p>When it comes to the art world women seem to deploy more influence than power, as taste-shapers at home and key players on the international field. Part of our BERLIN'S TOP CHICKS package from THE BERLINER FRAU issue.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/articles/art-babes</link>
        <guid>http://www.exberliner.com/articles/art-babes</guid>
        <pubDate>Mon, 14 Mar 2011 05:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Tacheles in dates</title>
          <description>
            <![CDATA[
            <p>From Europe's largest shopping arcade to Nazi meeting rooms, Kunsthaus Tacheles has a very colourful history.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/articles/tacheles%3A-in-dates</link>
        <guid>http://www.exberliner.com/articles/tacheles%3A-in-dates</guid>
        <pubDate>Wed, 09 Mar 2011 07:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Meet the artists</title>
          <description>
            <![CDATA[
            <p>Come inside the graffiti covered walls of Berlin's most famous Kunsthaus (or tourist trap) with four of Tacheles' long-term residents.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/articles/tacheles%3A-meet-the-artists</link>
        <guid>http://www.exberliner.com/articles/tacheles%3A-meet-the-artists</guid>
        <pubDate>Wed, 09 Mar 2011 01:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Last chance: Agatha Snow</title>
          <description>
            <![CDATA[
            <p>All Access World is designed as a fictional corporation to promote "a more democratic approach to monument ownership and distribution.” For monument, read ‘culture’. Snow's sprawling multimedia sculptures invite participation.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/last-chance%3A</link>
        <guid>http://www.exberliner.com/events/last-chance%3A</guid>
        <pubDate>Fri, 25 Feb 2011 05:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Last chance: Hans Arp and Kurt Schwitters</title>
          <description>
            <![CDATA[
            <p>Though there are always some turkeys, the annual Berlin-
Paris exchange airs the art rooms of the city. The pick this
year is the Arp/Schwitters show at Isabella Bortolozzi. Both
were formative artists of the Dada movement.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/hans-arp-and-kurt-schwitters</link>
        <guid>http://www.exberliner.com/events/hans-arp-and-kurt-schwitters</guid>
        <pubDate>Tue, 08 Feb 2011 11:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Labor Berlin 4: Reynold Reynolds – The Secrets Trilogy</title>
          <description>
            <![CDATA[
            <p>Hear Alaskan artist Reynolds's discuss his trilogy: “Secret Machine” focuses on Edweard Muybridge's photo-experiments, “Secret Life” is set in a plant-filled apartment and “Six Easy Pieces” dissects a physics textbook. Through April 3.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/events/labor-berlin-4%3A-reynold-reynolds-%E2%80%93-the-secrets-trilogy</link>
        <guid>http://www.exberliner.com/events/labor-berlin-4%3A-reynold-reynolds-%E2%80%93-the-secrets-trilogy</guid>
        <pubDate>Tue, 01 Feb 2011 08:00:00 GMT</pubDate>
    </item>
    <item>
          <title>Angels disguised as lust</title>
          <description>
            <![CDATA[
            <p>The Robert Mapplethorpe exhibition at C/O Berlin displays images of drooping penises, erect flowers, children and leatherboys but in classical form as only Mapplethorpe knew how.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/reviews/angels-disguised-as-lust</link>
        <guid>http://www.exberliner.com/reviews/angels-disguised-as-lust</guid>
        <pubDate>Mon, 31 Jan 2011 08:00:00 GMT</pubDate>
    </item>
    <item>
          <title>The revolution will not be Facebooked</title>
          <description>
            <![CDATA[
            <p>Interview: Stephen Kovats. The transmediale artistic director is packing up his laptop following this year's fest after five years at the helm. Digital suicide and WikiLeaks are on the radar for his last year.</p>
            ]]>
        </description>
        <link>http://www.exberliner.com/reviews/the-revolution-will-not-be-facebooked</link>
        <guid>http://www.exberliner.com/reviews/the-revolution-will-not-be-facebooked</guid>
        <pubDate>Mon, 31 Jan 2011 08:00:00 GMT</pubDate>
    </item>

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