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Photo by Alona Rodeh
2 of 4
Photo by Alona Rodeh
3 of 4
Photo by Alona Rodeh
4 of 4
Photo by Alona Rodeh
Borrowing the title of Spike Lee’s 1989 film, Ariel Efraim Ashbel uses objects alongside performers and musicians and draws heavily upon Bauhaus style (primary colours, basic geometry) to examine action ("Do"), ethics ("The Right) and materiality ("Thing").