When Trojan (Misel Maticevic) gets out of prison, he picks up exactly where he left off: organizing armed robberies. Director Thomas Arslan’s visual language echoes his sparse narrative style as we follow Trojan to hotel rooms and empty parking lots in a very grey Berlin. It’s fascinating how much a movie of so few words manages to say. Easily the best German film of the year. Opens October 7. German OV.